Willa Cather Describes Erotics of Place in her Novel, A Lost Lady Essay

Willa Cather Describes Erotics of Place in her Novel, A Lost madamTo discover an erotics of place in Willa Cathers A Lost Lady, takes little preparation. ane begins by simply allowing Sweet Water marsh to seep into ones knowingness through Cathers exquisite prose. Two paragraphs from the middle of the novel beckon us to follow Neil Herbert, now 20 years old, into the marsh that lies on the Forrester property. This passage, overflowing in pastoral beauty, embraces the heart of the novel-appearing not only at the novels center point but enfolding ideas central to the novels theme An impulse of affection and guardianship drew Niel up the poplar-bordered road in the earlyish dismay . . . and on to the marsh. The sky was burning with the soft pink and silver of a cloudless summer dawn. The heavy, bowed grasses splashed him to the knees. All over the marsh, snow-on-the-mountain, globed with dew, do cool sheets of silver, and the swamp milk-weed spread its flat, raspberry-coloured cl usters. There was an almost religious artlessness about the fresh aurora air, the tender sky, the grass and flowers with the sheen of early dew upon them. There was in all living things something limpid and joyous- the like the wet morn call of the birds, flying up through the unstained atmosphere. Out of the saffron crocus east a thin, yellow, wine-like sunshine began to gild the fragrant meadows and the glistening top of the grove. Neil wondered why he did not often watch over over like this, to see the day before men and their activities had spoiled it, while the morning star was still unsullied, like a gift handed drink down from the heroic ages. Under the bluffs that overhung the marsh he came upon thickets of wild roses, with flaming buds, nevertheless beginning to open.... ...arsh. A final glimpse of marsh turned pale yellow berry field comes in the fourth chapter of the novels Part Two. Heavy rains have come to the Sweet Water valley, lifting the river over its ba nks and swelling the creeks. Cather reports that the stubble of Ivy Peters wheat fields lay under water, (121) raising the hope that Peters intrusion upon the bolt down is merely temporary, that given respite from human meddling, the marsh will substantiate itself. I admit that this is my hope more than it is Cathers. But even if this is so, it is Cather who arouses the appetency that invites me to hope. Works Cited Cather, Willa. A Lost Lady. Ed. Susan J. Rosowski with Kari Ronning, Charles W. Mignon and Frederick M. Link. The Willa Cather Scholarly Edition. Lincoln U of nor-east P, 1997. Williams, Terry Tempest. An Unspoken Hunger Stories from the Field. New York Vintage, 1994.